His figures are recognizable as human, but hold an otherworldly presence, as felt in the elongated limbs and shadowed concave spaces that allude to eyes. The exhibition successfully encompasses the power of expression contained in this reduced, monochromatic, almost eerie style.
Latest articles from Natalie Hays
Pride was not always the colourful, fun parade that we recognize today. In commemoration of the original spirit of Pride, The Museum of Anthropology’s (MOA) August 3 event Pride at MOA: From a Riot to a Revolution commemorated the 50th anniversary of the Stonewall Riots, and reminded us of the violence and resistance out of which the modern LGBTQIA2S+ rights movement was born.
The Vancouver Art Gallery’s new major exhibition Uninvited: Canadian Women Artists in the Modern Movement presents an immense range of artistic production and female creativity.
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