UBC Opera’s performance of The Magic Flute was delightful entirely due to the amazing performances of the UBC Opera Ensemble accompanied by the Vancouver Opera Orchestra.
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Sofia Avelino is about to become a new Infidels Jazz classic. Last week’s Hero’s Welcome gig was her second time performing the music of Brazilian jazz legend Elis Regina after a sold-out show on Granville Island in May — and as Infidels founder Tim Reinert said at the start of the night, when you have someone sell out a show, you have to ask them to come back for another.
What might seem to a post-class loiterer to be the nervous energy of an evening midterm was, in fact, the first student-run essay competition hosted by the UBC Ballpoint Society.
Eight new bombshells enter the Nest. Will they find love or rejection at the Love Island-inspired blind dating event presented by the Sri Lankan Students Association (SLSA) in collaboration with Students of the Caribbean (SOCA) at UBC?
Anne Washburn’s Mr. Burns, is, on the surface, about the Simpsons and the apocalypse: the show opens on survivors of a near-future environmental collapse (likely due to nuclear disaster) trying to recall the details of “Cape Feare,” the second episode of the show’s fifth season.
Entangled Territories: Tibet Through Images is the Museum of Anthropology’s (MOA) newest exhibition, focusing on the historical and cultural identity of the area. This was done in an effort to push back against the inundation of content focusing on the region exclusively through the lens of Tibetan Buddhism.
A Sip of Autumn is the UBC Tea Club’s first public-facing event since their reconstitution two months ago. The reborn club began holding events in the summer, and is in the process of finalizing its AMS-affiliation with a page on the student union club directory.
Chen’s talk was specifically aimed toward emerging musicians interested in bridging the gap between the classical music industry and the internet.
The play focuses on the restaurant Joe’s — referred to by everyone as the “best restaurant in the world” — hosting an evil businessman for dinner.
Three hundred students and community members gathered in the Nest’ Great Hall to celebrate Día de Muertos with the UBC Mexican Students’ Association (MEXSA) on Nov. 3.
Tenebre was screened for the conclusion of the Global Horror Film Festival, organized in collaboration with the UBC Film Society and the Arts Languages Max Working Group as part of Arts Multilingual Week at UBC.
Singh originally conceived of The Nest during the COVID-19 quarantine in 2020, shortly after her mother suffered a major head injury at home that left her partially paralyzed.
Written by Gordon Greenberg and Steve Rosen, Dracula: A Comedy of Terror made its Canadian première with Down Stage Right Productions’ run at the Jericho Arts Centre this Halloween.
The Ukrainian Hall in Strathcona hosted VanAfrica: A Celebration of Africa in Vancouver featuring a wide range of African music from across Ghana, Guinea, Côte d’Ivoire, Zimbabwe and Cuba.
As a part of ARTIVISM 2025’s lineup, the Hatch Art Gallery hosted a performance by the UBC Contemporary Players Ensemble on Oct. 24. Two of the four pieces played by the ensemble were original compositions by student composers Rebecca Adams and Kelk Jeffery.
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