When I’m frustrated with Math 104 or stressed out about life in general, I know a salad isn’t going to satisfy my cravings. I tried out chicken strips from three different places across campus — I know there are many more, but I started with the basics.
Almost four hundred years after it was first performed, The Changeling and its themes remain relevant. The deep familiarity of the play is perhaps a sad reflection on society today.
For a long time, E-Week has been one of the most impressive events of the winter session. Besides having entertaining activities, E-Week serves as a week-long competition among the engineering faculties and clubs. But before all the fun starts, months and months of work go in to make sure the week goes perfectly.
Heat it up and there you have it — the million dollar hot cocoa, perfect for when the weather isn’t on your side.
It’s a new decade at UBC which means nothing less than a new exhibition at the Hatch gallery. For 2020, we’re starting off with the annual Visual Arts Students’ Association exhibition, called Quick! a last show before I go off my rocker.
This third iteration of Transits and Returns showcases the works of 21 Indigenous artists from around the Pacific, ranging from local First Nations to Alutiiq territory in the north, Māori lands in the south, and the many mainland and island Nations in between. Two prior showings were held in Brisbane and Auckland. The works explore themes of movement, territory, kinship and representation.
A look behind the curtain with two UBC meme instagram accounts.
Back for its second year and bigger than ever, Smash Comedy Festival is here to make space in the comedy world for those who are often sidelined. The festival looks to promote women, Trans and femme comedians in an industry often dominated by cis white men.
The Changeling was a 360 degree, full-bodied experience. The acting and design support the haunting nature of the play, but the comic plot line distracted from the overall show.
Each mosaic in "Symbols for Education" portrays a symbol that represents a different area of study in the university at that time it was created.
I stopped going to Saturday school when I was 12, but many Chinese cultural traditions — the story behind firecrackers during 农历 新年 (Lunar New Year) and the reason we eat noodles or fish on certain holidays — were ingrained in me there.
Playing with Fire was incredibly playful, especially thinking about how precious ceramics are. In context with the European Ceramics Gallery, Playing with Fire was a great reminder of what ceramic art can be and how people in the past found meaning in the art that we may now have lost.
Premiering on January 30 at the Chan Centre, The Passenger is part of the larger symposium, Auschwitz 75, being held in commemoration of the 75th anniversary of the liberation of Auschwitz-Birkenau, the largest Nazi concentration camp in Poland.
She, Mami Wata & The Pussy WitchHunt premieres this week on the West Coast as part of the PuSh International Performing Arts Festival.
On February 6, the museum will host Decolonizing Voices: A Celebration of Canadian Black HERstory, an event featuring a spoken word performance by Adelene da Soul Poet and a poetry reading and book signing with Chantal Gibson.