On September 16, the Chan Centre, in partnership with Musqueam, will be hosting the Indigenous festival ʔəm̓i ce:p xʷiwəl (Come Toward the Fire). The single day festival will include free daytime events, as well as evening performances that are free for Indigenous individuals and ticketed for others.
Starting this September, UBC students will have the opportunity to take UKRN 125, the brand new six-credit course in Ukrainian language and culture.
Artist Odera Igbokwe’s exhibition New Yams Festival, a part of the Queer Arts Festival, presents a reimagination of the New Yam Festival celebrated by the Igbo people in Nigeria.
It has been nearly one year since the “Women, Life, Freedom” movement exploded onto the streets of Iran. The movement has not only brought attention to the injustices and violence women and minority groups are facing in Iran, but has encouraged discussions worldwide about gender inequality.
Hailing from Yellowknife, Northwest Territories, UBC English honours student Anna Pontin dabbled in musical theatre in high school — however, she never anticipated that she would continue acting after moving to a bigger city.
Being Queer often means certain experiences happen on a different timeline.
ARCHIVE is not your typical drag show — and not just because it actually starts on time.
Coming into a discussion about Love After the End: An Anthology of Two-Spirit & Indigiqueer Speculative Fiction, I was not expecting to hear about a human and an AI rat falling in love.
Throughout ninth grade, I spent all my spare time in Ms. Ramone’s classroom.
As a pre-teen, I discovered the wonders of iMovie. I used a mixture of bribery and coercion to rope my siblings and friends into my short film-making endeavours.
When I look back at the way I lobbed on a thick layer of eyeliner, I remember the YouTube tutorials of mostly white women with the eyes that I wanted, explaining to me just how easy it was to look as flawless as them.
When we have feelings about art, it’s usually in a metaphorical sense. In Catfish, Alley Theatre’s newest play, Vancouver’s first ever vibrotactile theatre environment will give audiences a chance to physically feel the sound of their play.
Before doing both his bachelor’s and master’s in opera performance at UBC, Luka Kawabata studied engineering at Queen’s University.
Just east of the Museum of Anthropology, a small slope off the sidewalk lining Northwest Marine Drive leads down to Trail 3 of Pacific Spirit Park.
Caroline Polachek sings like she was always meant to perform in the Orpheum.