“We spend so much money preserving old buildings.… Why not also spend some money documenting the extraordinary linguistic diversity of our species — that thing that makes us human?”
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“The biggest misconception that we want to debunk for other immigrant theatre artists is the fact that you actually aren’t alone,” said Barry. “... I really thought I was. That’s really damaging and tragic in a lot of ways.”
“[Michelle] was always repeating to us ‘We’re creating a safe space where dangerous things can happen, not a dangerous space where safe things can happen,’” said Paskalidis.
It felt personal — intensely so. It left me feeling like I was witnessing moments that didn’t belong to me, while also stirring up thoughts and feelings that didn’t belong to anyone but me.
Dr. Farah Shroff prefers not to be called a resistor. “Resistor is always putting something else at the center of what I do,” she explained. “I like to put my own goals and attention, my dreams at the center of what I do.”
While students want a minor that will help them gain access to future career opportunities, the programs also helps to foster a greater understanding of an integral part of global society. The research highlights the fact that there is a demonstrated interest for courses with African content. Classes are full and students are waitlisted.
The play tells the story of a group of artists who are filming a movie, based on a book, which is based on the real life story of Johann Sutter.
GOLDRAUSCH does not fail in its overall mission to break the fourth wall and encourage the audience to consider why people create art and who has the right to tell a certain story.