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Kiah, a young adult with dark hair, draws as 2D illustrations of birds fly past in the background.

I’ll be the first to say that growing old is a privilege — and an environmental liability. It’s a dark thought that I usually mull over under blankets and between bedroom walls. That was, until I caught UBC alumna Ann Marie Fleming’s sci-fi drama Can I Get a Witness? at this year's Vancouver International Film Festival.

A woman in a pink shirt typing on a laptop with a cup of coffee at her side, and a woman in a yellow shirt and man in a purple shirt seated across from each other in the background.

It’s a sunny day at Great Dane. Beams of light peek through the buildings that shade the patio, creating sunny patches where students gather, laptops out and coffees in hand.

Pea Man, a person wearing a black shirt and bright green ski mask, stands in the middle of a crowd while holding up a bag of frozen peas.

Stay at UBC long enough and you start to recognize the little things that make autumn what it is on campus: fragrant petals in the rose garden; the oak trees’ edges turning yellow on the malls; the guy in the green ski-mask vomiting, moaning, absolutely housing two-and-a-half kilograms of frozen peas outside the Nest.

Two teenage girls in yellow camp t-shirts, crouched on the ground and holding flashlights.

As a wide-reaching and accessible platform for emerging theatre artists, Fringe is a great opportunity to get a taste for up-and-coming faces and works in the theatre world, so try to catch a show or two!

A blonde gymnast in a blue leotard stands on tiptoe with a large gold hoop in her hands.

By 2022, I had been a rhythmic gymnast for 15 years. I had competed for 12, of which 7 were at the national level. I was recovering from several injuries that I was pretending weren’t career-ending. I was losing love for the sport. Then Nikolova showed up and reminded me what rhythmic gymnastics could be.

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