UBC social work student Halina Faqirzada wants to combat campus Islamophobia through art.
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The bustle, blues and glory of Mumbai melt away into a bittersweet tale of love and friendship in Payal Kapadia’s All We Imagine as Light.
From September 26–October 6, the Vancouver International Film Festival (VIFF) held its 43rd iteration, showcasing the work of filmmakers around the globe.
Coming home from elementary school meant putting up with my mother telling me I would have to eat whatever my grandmother had made that day.
Blank Vinyl Project’s (BVP) annual battle of the bands asks the question, “What if we gave a bunch of musicians clubs and knives and made them fight?”
Started in 2022 by friends and co-founders Alex Beschea and Pierre Kahwaji, the UBC Men’s Mental Health Club (MMHC) has become a space focused on building community and supporting men through a variety of events designed to promote positivity and self-improvement.
In a society that increasingly values diversity, some areas still lack represention of a broad spectrum of experiences — an example of this is children’s literature.
Kip the Coyote wasn’t just another furry friend on UBC campus — from sunbathing on the lawns of Place Vanier to chasing squirrels down Main Mall, Kip has touched the hearts of UBC students for years.
The Vancouver Outsider Arts Festival (VOAF) is returning for its 8th year, running from October 11–13 at the Roundhouse Community Arts & Recreation Centre.
ANOHNI joined Naomi Klein on stage on October 4 in a conversation co-hosted by the UBC Centre for Climate Justice and the Chan Centre to explore her work in a time of global ecological crisis.
Okay, so I’m super drunk, right? And I’m walking down Main Mall at like 2 a.m.
This past weekend, UBC Opera performed a run of Gilbert and Sullivan’s 1878 comedy H.M.S Pinafore, directed by UBC Opera Ensemble founder Nancy Hermiston and conducted by Leslie Dala.
Whether you want to catch a few bands at the Biltmore or chill to some classical music at the Chan Centre, there’s something for everyone, all for under $15.
As fun as it is to party the night away, you have to take precautions to keep yourself safe — and for Queer women and Trans people, the Warehouse (or Eastside Studios) was a refuge.
I’ll be the first to say that growing old is a privilege — and an environmental liability. It’s a dark thought that I usually mull over under blankets and between bedroom walls. That was, until I caught UBC alumna Ann Marie Fleming’s sci-fi drama Can I Get a Witness? at this year's Vancouver International Film Festival.