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A character sits at a dining table in the middle of the stage, which is decorated to look like the inside of a house, as they look at another person in a long black robe who is standing to their side. Five people wearing bright yellow jackets with a reflective strip sit around the edges of the stage.

In light of Donald Trump being elected — a threat to the rights of 2SLGBTQIA+ people, BIPOC, immigrants, and women — as well as the silence of world leaders throughout the war in Gaza, The Arsonists is a scary reminder that history tends to repeat itself.

A basket of cookies individually wrapped in plastic with a sign reading "gluten-free" and a list of baked goods and their prices.

I’ve recently become acquainted with someone who has celiac disease, meaning he not only can’t eat gluten (obviously), but also can’t have anything cross-contaminated with gluten — a part of having celiac that I wasn’t aware of.

The outside of the First Nations Longhouse at UBC, a building with long beams and a slightly curved roof.

On November 14, the UBC First Nations House of Learning (FNHL) hosted “Confronting Indian Residential School Denialism,” a panel discussion featuring Michelle Good, lawyer and author of the award-winning novel Five Little Indians, and Dr. Sean Carleton, an assistant professor of Indigenous studies at the University of Manitoba.

A girl with long brown hair rides a yellow bike. She is wearing a dark green raincoat and brown pants, and the trees behind her are blowing in the wind.

The first half of my undergraduate studies took place in Normandy, France. For two years, the perpetually rainy city of Le Havre hosted me, my awkward French and my growing assortment of rain gear.

In dim green and pink lighting, a young woman lies on the ground with her eyes shut.

Even though I knew Lungs of the Earth was going to be a sound-based exhibit, I was still surprised when I walked into Loeb Studio. There was nothing on the walls, and for a while I just stood by the door peering around for something to look at.

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