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A panoramic photo taken at night on the top of a hill capturing downtown Vancouver lit up in the distance and some power lines and a bus driving in motion past the perpendicular street in the forefront.

I wonder if it feels so good to watch strangers because they’re just postcards to me — maybe I simply see in them what I would see in myself if I ever turned toward my own reflection in the window.

A navy blue illustration of a mother and her daughter sitting at a piano at night. The mother and daughter face away from the camera and the daughter's head rests on her mother's shoulder as yellow hues and swirls encircle them.

It’s 2009 and I’m six years old. My brother and I share a bedroom with two twin beds and mine’s in the furthest corner.

Foggy/cloudy sky only showing the top of a bridge.

After 37 years capturing North Shore stories, former photojournalist Mike Wakefield has traded cameras for crops in a quiet coastal community. Reflecting on a career shaped by patience, empathy and authenticity, Wakefield’s transition to farming mirrors his enduring passion for cultivating connection — whether through photographs or fresh garlic.

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