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Rebecca Todd looking down and sitting next to some tools in front of a barn holding a yellow mug and wearing a straw sunhat, navy sweater and jeans.

As writing had “always come fairly easy” to her, Todd began working as an arts and dance journalist. But she wasn’t done there. Through her reading, writing, choreography, dance and marriage to a cognitive scientist, she began thinking more intently about “how the mind works in action,” as she put it.

An illustration of a faceless girl from the neck up, wearing a crown with peas on it instead of jewels.

She knew — nay, she felt it in her soul, her bones, the dust mites in her squeaky Walter Gage mattress — she deserved someone positively, truly exceptional.

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